Showing posts with label Carnival. Show all posts
Showing posts with label Carnival. Show all posts

Brazil's Last Frontier: Victims and Visionaries

Brazil - The Making of a Novel - Part 33
 
Porto Velho, Rondônia, August 24, 1980 — September 1, 1980
 

 
August 29-30 Left Porto Velho at 4.30 a.m. with Eduardo Borcacov for Guajará Mirim 335 dusty kilometers away. Argentinean-born Borcacov of Russian heritage converses on virtually any topic under the sun with worthwhile opinions. He knows environment intimately from many years in Rondônia's forests as lumberman. Trip took ten hours driving with two hours lingering at Madeira-Mamoré stations en route, now mostly ghost towns.
 
Vila Murtinho, for example, a dozen or so houses around a barely recognizable square. Column in middle of soccer field commemorates 1822/1922 (Independence,) abandoned stores, inhabitants hanging around doing nothing in particular. Along the road, no evidence of real agricultural development in ten years since it was opened, usual burnt patches, some grassed areas, few cattle, all adding to depression one feels at sight of abandoned tracks, equipment, stations etc.
 
Madieira-Mamore Railroad Locos Brazil Uys
Madeira-Mamoré railroad relics in 1980
        
Some wide-ranging Eduardo pointers/ observations/ images on past and present as we traveled: a) all railroad equipment imported, including standards from London b) dormitory for visiting dignitaries above station at Guajará-Mirim c) struggling agricultural community with church under construction for five years f) small country hospital, male patients of all ages in general ward g) stream with beautiful bathing spot, Indian maloca upstream x 14 hours travel h) blue butterfly worth at least $50 i) balls of latex covering square in front of old station j) forest landing strips k) 25,000 hectare fazenda.
 
Weekend with Eduardo along Madeira-Mamoré railroad, in every retrospect, a valued experience. I have begun to see Vicente Cardoso's (Cavalcanti) experience in a very different light for two reasons: A) Rondônia provides bases of “last frontier” (soon to pass with coming of statehood.) B) Madeira-Mamoré story needs more than an outsider's view. Vicente has to be physically involved with the construction and thereafter gradually to become a “man of power” in the territory. All points to having Vicente actually engage on the construction of the railroad and emphasis of rubber boom.
 
Brazil Gold Nugget Serra Pelada  6 kilos
Gold Nugget found in Brazil 1980
Eduardo offered many leads to this in yarns like that of Maciel, the coronel/concessionaire who went batty after taking to Indian pagé's concoctions i.e. mushrooms of altered states variety. Rondônia is not “Amazonas” with all that name implies but all the ingredients are here, plus some of the unknown: a great river (Madeira); Indians of violent and pacific type: Caripunas and Novas Pacos; rubber boom; typical Trans-Amazonas type highway; pistoleiros and possesseiros; the old Wild west, to this day; great lumber enterprises; area south-west of Rondônia scene of gold rush today, dredging and panning rivers with some major finds of nuggets; significant immigration from the North-East, especially Ceará; Japanese farmers; migrants and adventurers from many lands, including descendants of the workers who came to build the Madeira-Mamoré; Shockness, Norman, the Asians, Lebanese. A microcosm of an earlier Brazil of the South and, in some respects, an unfortunate carry-over of problems of the North-East.
Madeira Mamore Rapids Brazil Uys
Madeira-Mamore Rapids near Guajara Mirim
Spent hours talking as we traveled back from Guajará-Mirim yesterday banging along cratered road with stops at "Restaurante e Borracharia" for food and to fix tires i.e. "borracharia!"
 
Guajara-Mirim Road Brazil Uys
Roadside Garage, 1980, Rondônia
 
Some of Eduardo's points: The vast land extent of Brazil is totally deceptive for you have to fight the forest inch by inch, a battle that may never be “won,” possibly can never be won and, like so many confrontations leaves a trail of victims. In this case, some human but more the spoliation of nature as depicted in the charred hulks of forest giants fallen in grotesque ruin amid fields of ashes.
 
As the Indians showed centuries ago, so today: The soil thus “liberated” is able to produce a good first crop, the second is poor, the third a disaster necessitating a new clearing and leaving the forest to recover with a poor secondary growth.
 
On North/South dichotomy: the people of the North-East, and by extension the north “migrants” are sufferers, they are martyrs who love the land no matter how cruel it may be to them and their children. The people of the South see them as the meanest laborers for whom there is little home, a burden for booming Brazil.
 
Edward offers an anecdote sadly familiar: “Waldemar” migrates from the North-East to São Paulo where he becomes a bricklayer engaged in the construction of one of São Paulo's skyscrapers. When it's finished, he is not allowed to enter!
 
On prospects of revolution: Ed refers, as do most people, to three safeguards: futebol, carnaval, loteria. (Looking at TV antenna atop the remotest shacks, I would add “TV” as fourth safeguard.)
 
He notes, too, that you don't launch a revolution on hungry bellies. Ché Guevara tried that in Bolivia and look what happened. The real incentive comes from a reasonably well-fed middle-class with more time to think and plan; the peasant has less time to do anything but “survive.”
 
A power-clique of generals and moneyed aristocracy call the shots at the national level. Men might change, as with appointment of Figueiredo offering apparent new image, but driving force and ideas remain the same. Backing the clique are multinationals and foreign banks, who in the foreseeable future make a drastic change of status quo impossible. Brazil has once again traded its independence for colonialism, this time no gunboats and foreign princelings but “economics.”
 
With leadership of Brazil, important to comprehend the “man on the second floor.” The real power is often held by people other than those in the “boardrooms;” people who stay out of the public eye and quietly exert Power.
 
Foreign influence in Brazil was same, for example, with “Ypiranga,” Strangford, Collingwood, backing independence not for sake of Brazilians but to gain a favorable trade and economic foothold for British interests. England's economic colonizer role was taken over by America and now a new “partner” is on the horizon: Japan, going after the vast mineral and natural resources.
 
With an important difference, according to Ed: The Brits and Americans always looked down upon the Brazilians from highest level. Brazilians, because of the big Japanese community in their midst, have come to know and respect them as honest, hard-working; they trust the Japanese whereas long experience has led to wariness of the U.S. and the British.
Also effect, in a lesser way but no doubt important, of anti-U.S. propaganda over the years, with “Yankee Go Home” drummed into heads of South Americans. Conversely, though, average Brazilian has little love for Cuba which is seen as a “government mess.” Brazilians know what a sprawling bureaucratic muddle can result in through their own home-grown examples: They're not interested in importing something that could worsen the situation.
 
September 1 Flew from Porto Velho to Cuiabá, changed there and flew to Brasília and onto Rio de Janeiro. It's not merely the vast distance covered within one country but coming out of the bush, it strikes you dramatically: the difference between all the poverty and struggle you have seen in “greater Brazil” and the suited, suave, soft-leather shoed people here, all bound for Rio, which most people I've seen these past forty days will never set eyes on. The contrast is shocking. I have a picture of a quintessential Rio granddame, paunchy, loaded with jewels, transported to one of those “restaurantes e borracharias” alongside any sertão road I've traversed...
 
 
Amazon Peasants Brazil Uys
Manioc mill in Amazonas settlement
 

Daydreaming about Anacondas, Headhunters and El Dorado

When I began work on my novel I knew as little about Brazil as the next foreigner. I'd once stopped over at Rio de Janeiro for three days on a flight to Africa, an instant course in cliches of Carnival, samba, beach and jungle. I'd another impression that harked back to my South African childhood, when the country was still tied to England.
 
Every month there arrived from London an adventure magazine for boys, its pages filled with the glories of Empire and conquests of its heroes. Among them, explorer Percy Fawcett who was most often depicted in a tiny canoe paddling past the gaping jaws of an anaconda. Colonel Fawcett went in search of a fabulous Lost City in Brazil and vanished forever in Mato Grosso. The intrepid fortune hunter lived on in the imagination of boys Percy Fawcett1ike myself who scoffed at the idea that an Englishman had been killed by headhunters and pictured our champion sitting on a golden throne in E1 Dorado.
 
Living in a day when we still saw the world divided into two parts — those who belonged to the British Commonwealth and those who didn't — I naturally considered Fawcett to be the discoverer of the Brazilian interior. Before his time, I believed, no one dared venture there except the denizens of the impenetrable forest.
 
I remember drawing a huge map of Brazil, days of painstaking work with pen and India ink, with every known river and a myriad tributaries. I marked my hero's route to "Point X" where he disappeared. The map won me a coveted star from my geography teacher, Miss Kane, and a vow to "find" Fawcett. Little did I know that many years later I would visit some of the very places explored by Fawcett that remained as deserted as when he first set eyes on them half a century earlier.
 
As happens with boyhood fantasies, somewhere along the way I left Fawcett behind and got on with my schooling. Then came the real world and a brief and wretched experience as a law clerk. My father knew I wanted to be a journalist but warned that before I wasted my life as a writer, I should get a safe "billet," a favorite word of his. He suggested a career in accountancy or better still, a job with the Johannesburg city council, where I would be guaranteed a pension. (A chilling prospect for a seventeen-year-old!) I tried law but after a couple of years of hounding debtors and licking stamps, I abandoned this course.
 
Then came another round of fantasies with a disastrous attempt to go into business for myself. I founded the Lincoln Swift Organization, an odd mixture of cane furniture factory, pottery distributor, and missing persons bureau. It survived three months. At last, in an act of desperation, I literally threw myself at the feet of the manager of the Johannesburg Star and asked for a job. I got it.

Between daydreams about Fawcett, I'd been writing stories from the age of ten. I was seventeen when I penned my first novel, a three-hundred page saga of teenage angst in a small town in South Africa. Unpublished, I included it with my application to the Star and to my everlasting gratitude, the editors decided to take a chance on me. Three weeks after joining the paper, my name was in print for the first time beneath an article on the editorial page: Happiness is an Unprejudiced Mind.
 
My career as reporter, features writer and editor spanned seventeenPost Newspapers, Johannesburg, Front Page   years on three continents. From the Star I went to Post, a newspaper serving the black and mixed-race communities of South Africa. Then to England and the South-East London Mercury, a London weekly; in London I joined Reader's Digest returning to South Africa, where I became editor-in-chief. In 1977, I came to the magazine's headquarters at Pleasantville in the United States. My transfer couldn't have been more propitious.
 
In 1978 because of my background and the Digest's long-standing relationship with James A. Michener, I was assigned to work with the writer on his South African novel, The Covenant. My two years with Michener convinced me that were I ever to be an author I would have to make a total commitment to writing, not pecking away at manuscripts in the dark of night but out in the open. At the end of 1980, I resigned from the Digest to begin work on Brazil.
 
BRAZIL - The Making of A Novel - Part 1